ALL THE CITIES OF THE NORTH

It's winter by the seaside. Abandoned bungalows, lost donkeys, rotten fruit and a single room with a blue tent inside.Two men, Boris and Boban, drift through all this, inhabitating a relationship which bears no name. The persistent rhythm of their everyday routine is disturbed when Dane settles into the same abandoned bungalow complex.With his arrival, the outside world and the making of the film itself come into view. Gestures are rehearsed and repeated. The film crew shares the space with Boban, Boris and Dane. The film is taken to a point where it could be made of anything, any moment, any image.Forced to recalibrate the fragile balance of their state of inbetweenness, each one is left in his own solitude where the exhausted cruelty towards the other becomes despair.